You can click the image below and drag it onto your desktop to save it. It’s made for standard 8.5″ x 11″ printer paper (any white or light/colored paper will work). This free, printable greeting card is blank inside. I made them to celebrate the upcoming February release of Riddled with Spots. Read more
In the spirit of both the bloody historical implications, and the tradition of sharing food and gratitude with blood and kin, I offer you my favorite cranberry sauce recipe. As an added bonus to cooking with painters, this one looks very much like a gothic bloodbath.
We’re all feeling it today, but remember this: the presence of the arts and their makers is the number one indicator of a safe space.
Where there is art, there is room for the Other.
Acts of creation are signposts, proving that places still exist where it is safe to freely make art. And this is something that feels very real to me, since (like all of you) I am descended from a long line of marginalized people; women, Holocaust survivors, escapees from traumatic regimes, former slaves, introverts, bibliophiles, academics, nomads, the poor, the mysterious, people who don’t quite fit, the long and thinning line of our now faceless, raceless ancestors.
This is extremely significant. You are extremely significant. And when I see you, my dear artists and friends, creating anything, sharing anything you poured your souls into, it shows me that there are outposts. Lanterns. Interstitial zones, thriving.
There are safe places where society’s outsiders can still utter our visions. Please do not withdraw… Every painting or sculpture or song you make designates a safe space, for makers, for outsiders, for Everyone Else.
This is a time for artists to claim these zones on the psychological map of the world. Keep making. Keep writing. Keep singing. Keep Happening.
Don’t disappear. We need you to make us feel safe. To make it better. To make what you will.
Oracles and Evacuations is a combination of installation, projection, mysterium, psychological amulets, painting, drawing, an imaginary pop-up oracle shop/performance piece called Into The Forest*, and other curiosities. The project deals with oracles, evacuations, trauma, and the roles of deception and imagination in healing. What you see here are small elements from the large installation of the Oracles & Evacuations series. (This page will be updated as more photographs are taken of the work.)
Channel is on view at Stephen Romano’s “Materia Prima”, at BLAM gallery, Brooklyn, through the end of November.